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後山小調∕人流管制 野生動物增加

萬里晴空與後湖園區的蜻蜓。(圖∕溫富振攝)

新冠疫情肆虐,各風景點關閉,人流減少,有觀察者說,野外動物增加了,流動空汙减少,天空更透明。

野生動物趁著人流减少,到處冒出來走動,連我們後湖園區也出現蜻蜓,罕見的蜻蜓,久違了!

台11線公路沿線為東部海岸國家風景區,所有的風景點為了防疫全部關閉,甚至單獨設置的廁所也關閉了,意思就是說,不能停留方便,可能造成群聚,趕快離開。

人流嚴格管制,的確車輛大量減少,人跡罕見,連空氣也變得更清新,到處萬里晴空,相信熾熱的陽光把新冠病毒曬死了,不過狡猾的病毒卻早已潛入人體伺機攻擊,陽光又奈它何?(本文作者∕資深媒體人:溫富振)

「e起抽好筍」有吃又能學 挑筍有撇步一起當達人

▲新北市綠竹筍禮盒。(圖/新北市農業局提供)

生活中心/新北報導

每年6月是新北健康三寶綠竹筍開始盛產的季節,新北市政府農業局與民眾分享挑選綠竹筍的秘訣,除了謹記認明產地須為新北市外,外觀還要「白、彎、矮、肥」。民眾自6月15日至6月20日,只要在「新北市農業局-稼日蒔光」,按讚、分享貼文、標註好友,並回答正確挑選方式,就有機會抽得綠竹筍禮盒,想品嘗美味的新北好筍的民眾,趕緊把握機會。

▲真空包裝筍。(圖/新北市農業局提供)

新北市是全國綠竹筍最大產區,主要產區為五股、三峽及八里,其他產區包括新店、深坑、平溪、林口、泰山,新北市各筍區的土質因多於中性至微酸性,加上氣候濕潤,適合綠竹筍生長,加上百年的技術傳承,讓新北綠竹筍品質優良,在北區五縣市的評鑑比賽總是名列前茅。民眾如果想從萬筍之中挑選出類拔萃的好筍,除了須認明產地為新北外,還要謹記外觀要「白、彎、矮、肥」,底部矮胖肥大色白、外形略彎似牛角、筍殼光滑帶金黃色,千萬不能「出青」,才是品質最好的「上筍」。另外,為了讓更多人了解挑選綠竹筍的小撇步,農業局也規劃「e起抽好筍」網路抽獎活動,民眾自6月15日至6月20日,只要在「新北市農業局-稼日蒔光」臉書貼文下方,按讚、分享貼文、標註好友,並回答正確挑選方式,就有機會獲得限量新北市綠竹筍禮盒(3台斤) 3組(市值670元)、真空包裝筍3組(市值550元),以及超商百元禮券10組。

▲新北綠竹筍不論品質或口感都居全島之冠。(圖/新北市農業局提供)

農業局長李玟表示,新北綠竹筍不論品質或口感都居全島之冠,口感鮮嫩多汁,想品嚐新北好筍的民眾,一定要把握這次機會,並將挑選綠竹筍小撇步分享給更多人知道,一起當綠竹筍達人。另外端午連假期間雖因疫情不能出門,但民眾若想訂購新北好筍,仍可以到「新北綠竹筍e易購」購買。

澎湖百工百業拼生機 「疫」起推陳出新賣起來

▲媽宮食品工廠。(圖/業者臉書粉專)

生活中心/澎湖報導

往年此時的澎湖,正是觀光產業的旺季,尤其是「花火節」期間,包括旅宿業、餐飲業,伴手禮業者都會忙到翻,但是從去年疫情以來已經受到不小的影響,今年提升三級警戒又再延,各行各業幾乎已經完全停頓,但是許多業者則以自身原本的產品加上創意包裝,在低迷時期殺出一條活路。

▲媽宮黑糖糕。(圖/業者臉書粉專)

媽宮食品新形象

到澎湖旅遊,免不了要帶許多伴手禮,澎湖最在地的老字號特產代表「媽宮食品工廠」,成立於1968年,在董事長洪文傳夫婦的努力經營下,就已經在澎湖打下不錯的口碑,其中最受當地歡迎的就屬「媽宮黑糖糕」、「媽宮紅豆糕」,黑糖糕對澎湖人來說,不僅只是澎湖的特產,同時也蘊含了在地的歷史意義。

「媽宮食品工廠」在疫情期間推出「媽宮福箱」,打著不能飛澎湖沒關係,媽宮幫你寄的口號,將好吃的澎湖名產包中成福箱,有干貝醬、小管醬、滿滿干貝顆粒的XO上醬、新品上市的海菜醬和魚子醬、罐醬類方便存放,還有澎湖西衛手工麵線,只要1200卻有1500以上的實質品,還可以客製化,另外有媽宮蝦餅箱、媽宮好澎魷,讓宅家防疫也不無聊。


▲防疫海鮮綜合箱小管ㄧ日曬。(圖/業者臉書粉專)

永翔海產防疫海鮮箱

1985年開店的「永翔海產」,這段期間也推出「防疫海鮮綜合箱」,整箱14樣商品只要3000元,內有海菜抓餅、月亮蝦餅、澎湖限定狗蝦仁、海香菇、鳳螺、海鮮干貝醬、花枝漿、澎湖生小捲、澎湖海菜、花枝丸、花枝蝦排、花枝排、澎湖當地野生海魚。

▲時令魚箱。(圖/業者臉書粉專)

花格海味整尾魚料理

澎湖的美味海鮮食材當然也是疫情中的主角,「花格海味澎湖活凍水產專賣店」以五十餘年的經驗傳承,自詡海鮮達人嚴選澎湖最優質水產,疫情期間主打整條魚代工宅配,有「多肉款野生海大魚」組合2000元,魚種不挑款、處理成鮮魚塊、輪切、半月切、魚頭肉等方便料理的方式,適合清蒸、煮湯、香煎、紅燒。或者「情有獨鍾單一魚種多肉款」,野生石斑組、野生石咾組、野生紅槽組都是2000元。而家庭最愛款的時令魚箱、時令整尾餐魚組同樣是2000元,都是整尾魚的組合。

遊客進不來,貨物要出去,澎湖的年輕世代在疫情當中反而成了各種行業的主角,以宅配方式將特產、名產行銷到台灣本島,充滿創意推陳出新加上更多的優惠,為離島澎湖展現最大的韌性。

Technology, Manufacturing, and Banking and Finance were Threat Actors’ Top Targeted Sectors in Asia Pacific in 2020: Ensign InfoSecurity Report

Technology, Manufacturing, and Banking and Finance were Threat Actors’ Top Targeted Sectors in Asia Pacific in 2020: Ensign InfoSecurity Report

The report also found that opportunistic threat actors sought to exploit people’s emotions and uncertainties during the pandemic by using Covid-19 topics to anchor their phishing campaigns

SINGAPORE – Media OutReach – 14 June 2021 – Ensign InfoSecurity (Ensign), Asia’s largest, pure-play cybersecurity firm, today unveiled the findings of its Cyber Threat Landscape 2021 report, which found that the technology, manufacturing, and banking and finance industries were the top targets in Asia Pacific for threat actors in 2020.

Ensign’s latest report provides insights into the cyber risks and threats that surfaced across four Asia Pacific markets – Hong Kong, Malaysia, Singapore, and South Korea – as the pandemic dramatically reshaped the business landscape. It also explores cyber threat trends that are emerging or will persist in 2021.

Here are the key findings and insights from the report:

Sector analysis: Threat actors targeted the technology sector to achieve economies of scale

Technology service providers were attractive targets for threat actors as many organisations have engaged their services during the pandemic to ensure business continuity. A successful cyber attack would allow the threat actors to obtain the credentials of these service providers’ clients, gaining them illicit access to a wide range of companies.

Threat actors also targeted technology hardware and software vendors to breach and implant malicious codes and components into the vendors’ product development systems. This enabled the perpetrators to rapidly develop zero-day exploits or create backdoors to compromise the integrity of the products, allowing them to readily reach a larger pool of targets.

The threat actors’ focus on these sectors is a concern as organisations continue to invest in digital technologies. According to IDC, digital transformation investments in Asia Pacific including Japan and China (APJC) are poised to hit an estimated US$921 billion by 2024, compared to US$430 billion in 2019[1]. Additionally, IDC estimates that by the end of 2023, 80% of enterprises in Asia Pacific will put mechanisms in place that will enable them to shift to cloud-centric infrastructure and applications twice as fast as before the pandemic[2].

“Technology suppliers and service providers will continue to be lucrative targets for threat actors as organisations become increasingly reliant on digital technologies to support their business operations and position themselves for the future. If threat actors can successfully compromise just one of these companies’ systems, it can create a ripple effect that will impact large groups of organisations across industries and geographies,” said Steven Ng, CIO and EVP of Managed Security Services, Ensign.

“Organisations need to recognise that as their cyber supply chain ecosystem expands and diversifies, they will also need to take additional steps to mitigate the elevated cyber risks that come with it. This includes increasing the organisation’s situational awareness by maintaining a complete inventory of the software, hardware, and information assets that are within their network, and those managed by their partners and vendors,” added Steven.

Sector Analysis: Threat actors exploited Covid-19-induced disruptions and set their sights on trade secrets

Ensign highlighted that in 2020, threat actors attacked manufacturing companies with ransomware. The perpetrators understood that these companies’ production capabilities were already strained due to the pandemic-induced supply chain disruptions. This made manufacturers more willing to pay the ransom to resume operations quickly and avoid further production disruption.

Cyber adversaries also targeted manufacturing companies to steal their trade secrets, including industrial design, operational knowledge, as well as source materials and suppliers. These types of information are particularly valuable as they can significantly undermine the victims’ competitive edge while boosting the capabilities of their competitors.

Sector Analysis: Threat actors intensified social engineering attacks and sought to exploit remote working arrangements in the banking and finance sector

As the country went into lockdown during the pandemic in 2020, there was increased usage of online banking services. This led threat actors to ramp up their social engineering attacks by faking banking websites and mobile applications to deceive bank customers into disclosing their credentials.

The report also revealed a greater increase in threat activities in this sector due to the widespread adoption of remote working arrangements. More exploit attempts were targeting remote solutions used in this sector compared to other industries. Threat actors were particularly interested in getting credentials to gain access to banks and other financial institutions. They could sell this information to ransomware operators and other sophisticated threat groups that can find their way into these organisations’ core network.

Emotet and TrickBot were Top Malware Detected Across Asia Pacific

Ensign found that Emotet and TrickBot were the top malware observed across the region in 2020, constituting the bulk of Command & Control (C2)[3] threat activities detected, especially in Hong Kong, Malaysia, and Singapore.

Threat actors commonly use Emotet and TrickBot as they are versatile in design, allowing the perpetrators to steal credentials, obtain information to move deeper into the infiltrated network, and inject additional malicious payloads into the compromised digital environment.

Threat actors frequently target technology service providers with these two malware families due to their capabilities to download more malware into the infected systems. Both Emotet and Trickbot were also observed to be used in phishing campaigns worldwide.

Opportunistic Threat Actors Exploited Covid-19 in Phishing Campaigns

The report revealed that threat actors sought to exploit individuals’ anxiety, fear, and curiosity caused by the pandemic through phishing attacks. Ensign uncovered that 99% of the phishing campaigns detected in Singapore in 2020 were centred on Covid-19 subjects, and that the market’s Circuit Breaker period provided an opportune timeframe for threat actors to launch phishing attacks.

Similarly, in South Korea, most phishing emails also took advantage of the pandemic situation. One of the top threat actor groups in Asia Pacific, Lazarus Group, also impersonated the South Korean government to announce fake additional Covid-19 payouts and shopping vouchers in their phishing campaign in June 2020. The attacks were targeted at 700,000 email addresses they have illicitly obtained from previous breaches.

Moreover, Ensign found that Covid-19-themed phishing attacks are more effective. In an exercise Ensign conducted to test a client’s cybersecurity measures, 35% of the organisation’s employees clicked on the simulated malicious link included in Ensign’s mock Covid-19-related phishing email and provided their personal information. This is 10% higher than the average result of past exercises, demonstrating the effectiveness of customised, well-timed phishing campaigns.

[1] IDC Worldwide Digital Transformation Spending Guide – Technology Forecast 2021
[2] IDC FutureScape: Worldwide IT Industry 2021 Predictions — Asia/Pacific (Excluding Japan) Implications
[3] Command and Control is a set of techniques that threat actors use to communicate and commander devices that have been compromised by malware. Threat actors can issue instructions to the compromised devices, including downloading additional malicious payloads or transferring stolen data back to the threat actors.

About Ensign InfoSecurity

Ensign InfoSecurity is the largest, pure-play end-to-end cybersecurity service provider in Asia. Headquartered in Singapore, Ensign offers bespoke solutions and services to address their clients’ cybersecurity needs. Their core competencies are in the provision of cybersecurity advisory and assurance services, architecture design and systems integration services, and managed security services for advanced threat detection, threat hunting, and incident response. Underpinning these competencies is in-house research and development in cybersecurity. Ensign has two decades of proven track record as a trusted and relevant service provider, serving clients from the public and private sectors in the Asia Pacific region.

For more information, visit www.ensigninfosecurity.com or email [email protected]

Twitter is critical tool for K-pop artists, with current artists Tweeting more than seven times a day

Twitter is critical tool for K-pop artists, with current artists Tweeting more than seven times a day
  • The fourth generation K-pop groups Tweet more than seven times a day, multiple times more than previous generations of K-pop artists
  • Twitter and K-pop Radar analyzed K-pop stars’ Twitter use for the first time, including analyzing Twitter use by each generation
  • Increasing Twitter use reflects the growing global fanbase of the global phenomenon of K-pop

SEOUL, SOUTH KOREA – Media OutReach – 14 June 2021 – Twitter, together with K-pop Radar, analyzed K-pop stars’ use of Twitter for the first time and found it to be a critical tool for artists as they built global audiences, as the fourth generation of K-pop stars actively communicates with global fans on Twitter. This analysis, “K-pop Generations Analysis by Twitter Usage”, looked at 69 total K-pop artists with more than 300,000 Twitter followers as of May 1, 2021, and analyzed the artists by generation.

Notably, K-pop the fourth generation averages 323 Tweets before their official debuts. This may be a key factor in the fourth generation artists’ global fanbases and successes, as fourth generation artists release their first overseas album, on average, 9 months earlier than the previous generation did.

K-pop stars’ method of communicating with their fans has changed in line with the development of the K-pop industry, as well as the media. First and second generation K-pop stars communicated with their fans through closed communities, such as fan cafes. From the third generation onward, artists shared content with their fans through global media platforms such as Twitter, and started to communicate with wider fan bases through live streaming and text messaging channels. Recently, beyond releasing content, K-pop stars are diversifying ways to communicate with their fans by actively utilizing new features such as Fleets and Spaces on Twitter. In addition, as offline concerts and fan signing events were canceled due to the COVID-19 pandemic, they are actively communicating with global fans through online concert streaming, as well as #TwitterBlueroom live Q&A on Twitter.

▲Photo Description: Different Twitter Use Behavior by Artist Generations

In terms of Twitter usage, there is a clear difference between the way that each generation used Twitter, especially in the following areas.

Tweets per day

Excluding the first generation, who were active before Twitter launched, K-pop stars averaged:

  • 1.2 Tweets per day for second-generation stars
  • 3.5 Tweets per day for third-generation stars
  • 7 Tweets per day for fourth-generation stars

Fourth generation stars Tweeted 5.8 times more than second generation stars, and 2 times more than third generation stars.

▲Photo Description: Cumulative Tweets by Generation for the Period of One Year After Debut

First Tweets

Comparing first Tweets to stars’ official debut dates, Twitter and K-pop Radar found, on average:

  • Second generation stars Tweeted for the first time 1,154 days (more than three years) after their debut
  • Third generation artists Tweeted for the first time 132 days (more than four months) after their debut
  • Fourth generation artists Tweeted for the first time 116 days (more than four months) BEFORE their debut

Analyzing the amount of Tweets for a year following artists’ debuts reveals other differences between the generations as well. Most second- and third-generation artists did not post Tweets before their debut, and slowly increased their amount of Tweets after their debut. However, a notable exception is BTS: BTS opened its Twitter account in December 2012, six months ahead of debut, and actively communicated with fans globally. Currently, BTS has 36 million Followers on Twitter.

Fourth generation artists, such as ATEEZ, THE BOYZ, ENHYPEN, Stray Kids, TOMORROW X TOGETHER, and TREASURE, communicated with their fans after opening their Twitter accounts, months ahead of their respective debuts. On average, fourth generation artists Tweeted an overwhelming amount before their debuts compared to second and third generations, with each artist uploading an average of 323 Tweets, and accumulating 562,377 Followers even before debuting.

▲Photo Description: Comparison of The Third and Fourth Generation K-pop Artists regarding Overseas Advancement

Global content

In addition to communicating with fans globally via Twitter earlier than other generations, fourth generation artists also released content for their fans globally faster than previous generations, on average:

  • The Fourth generation artists released their first overseas albums 9 months earlier than third generation artists
  • The Fourth generation artists also held their first overseas concerts 13 months earlier than third generation artists

“Direct communication with global fans through Twitter has now become a success formula for K-pop artists,” said YeonJeong Kim, Head of Global K-pop and K-Contents Partnerships at Twitter, who has led this analysis. “When BTS, a 3rd generation K-pop group, had intimate real-time conversations with its global ARMY, it set an example for the 4th generation to make this a feature of their engagement with fans. Fourth generation artists like THE BOYZ, Stray Kids, ATEEZ, TOMORROW X TOGETHER, GIDLE, ITZY, TREASURE, ENHYPEN, and aespa, who have been using Twitter as an active communication channel even before their debut, are advancing to the global stages faster than the previous generations, which demonstrates that digital-based communication has a significant impact on growing their fandom.”

This survey included the following artists:

The Second generation – TVXQ(@TVXQ), Super Junior(@SJofficial), Girls’ Generation(@GirlsGeneration), SHINee(@SHINee), 2PM(@follow_2PM) etc.

The third generation – EXO(@weareoneEXO), BTS(@BTS_twt), GOT7(@GOT7Official), MAMAMOO(@RBW_MAMAMOO), Red Velvet(@RVsmtown), MonstaX(@OfficialMonstaX), SEVENTEEN(@Pledis_17), TWICE(@JYPETWICE), NCT(@NCTsmtown), BLACKPINK(@BLACKPINK) etc.

The fourth generation – THE BOYZ(@Creker_THEBOYZ), Stray Kids(@Stray_Kids), GIDLE(@G_I_DLE), ATEEZ(@ATEEZofficial), ITZY(@ITZYofficial), TOMORROW X TOGETHER(@TXT_BigHit), TREASURE(@TreasureMembers), aespa(@aespa_official), ENHYPEN(@ENHYPEN_members)   etc.

Since most of the first generation groups, like HOT, Sechs Kies, SES, and Fin.K.L., were active before the launch of Twitter, and do not currently have Twitter accounts, they were excluded from this data analysis. Among first generation artists, however, Shinwa (@ShinhwaCompany), continue to be active as a group, and share their latest news through Twitter. Also, Seo Taiji (@SEO_TAIJI), known as the ‘President of Culture’ and the originator of this chapter of modern K-pop, debuted as the group Seo Taiji and Boys in 1992. After the launch of Twitter, he opened his own Twitter account in April 2010, and has changed the account name to SEOTAIJI 서태지(@SEO_TAIJI) in March 2021. Currently, he is connecting with fans globally by holding concerts via global livestreams on Twitter.

In the run-up to ‘World Music Day’, which is celebrated worldwide on June 21, Twitter is preparing to host #KpopTwitter campaign where K-pop fans can participate and communicate. Twitter also plans to organize various events such as #KpopFirstTweet campaign to find and share the first tweets of K-pop artists for a week period starting from June 14 on Twitter Music account (@TwitterMusic) and Twitter Korea official account (@TwitterKorea). #KpopMasterpiece campaign to recommend hidden masterpieces is another event Twitter is currently preparing. Any K-pop fans around the world can participate by posting a tweet with the hashtags. Tweets that have garnered enthusiastic responses from fans will be collected and published on Twitter blog.

About Twitter, Inc.
Twitter is what’s happening and what people are talking about right now. To learn more, visit about.twitter.com and follow @Twitter and @TwitterKorea. Let’s talk.

宜縣兩處疫苗接種中心準備就緒 6/15開打

宜蘭縣長林姿妙視察疫苗接種中心準備情形。(圖∕宜蘭縣政府)

記者陳木隆∕宜蘭報導

宜蘭縣政府設於溪北─宜蘭運動公園體育館、溪南─羅東文化工場的兩處疫苗接種中心,14日已經準備就緒,訂於15日起開打,縣長林姿妙呼籲民眾按照相關公告的時間、地點,依序接種疫苗,保障自己和他人健康。

縣政府衛生局指出,日前已收到中央配發的疫苗15,000劑,注射對象將以一至三類尚未接種人員、住宿、社區及居家型機構工作人員及接受服務對象、接受洗腎患者,以及88歲以上長者(原住民為78歲以上)為主。

又指出,洗腎患者已於12日陸續開始接種,縣政府亦已將長照機構工作人員與接受服務對象所需之疫苗,分批送至各相關負責的醫療機構準備開始施打。縣府並於13日下午,將「施打疫苗通知單」發送至各公所,各公所亦已陸續將通知單配發到家戶中的88歲以上長者。

縣政府打算從15日起,為第一類到第三類尚未接種的人員安排至溪北、溪南接種中心接受施打疫苗。16日起,為88歲以上(原住民是78歲以上)的民眾接種疫苗;除了宜蘭市、羅東鎮的長者安排在溪北(宜蘭運動公園)、溪南接種中心(羅東文化工場),其餘鄉鎮居民則安排於居住地所在的衛生所施打。

縣長林姿妙14日帶領相關局、處首長至兩處疫苗接種中心視察,確認各項整備已經完成就緒。她表示,由於疫苗數量不多,目前無法接受縣民主動預約施打,請依縣府安排的時間及地點前往接種,如有相關疑問,請逕洽居住地所屬的衛生所或鄉鎮市公所,相關衛生所聯絡資訊如下:製表:宜蘭縣政府衛生局

宜縣新冠6/14新增2確診 累積94染疫2死

宜蘭縣最新疫況及相關防疫作為。(圖∕宜蘭縣衛生局)

記者陳木隆∕宜蘭報導

宜蘭縣新冠疫情14日新增2例本土確診,累積共94人染疫,其中2人死亡。新增案例中,1例全家同住4人中已有3人染疫;另一個案為外籍女看護;兩案均無宜蘭活動史。

縣政府衛生局長徐廼維指出,宜蘭縣已完成篩檢14,250人,居家隔離108人,累積確診94人,2人死亡,陽性率0.66%,染疫率逐步下降中,但因鄰近的雙北地區疫情仍然嚴峻,必需戒慎恐懼,做好防疫措施。

縣長林姿妙說明,今天新增個案中,案13027為30多歲女性,是案11974及案12053同住家人,即案12053的妹妹;案11974先於6月8日確診後,即匡列為居家隔離對象同時採檢,當時檢驗結果為陰性。不過,她從6月12日開始出現咳嗽、流鼻水、發燒等症狀,再度採檢,結果為陽性而確診,CT值14;目前4名同住家人中,已有3人確診。

案13112是30多歲的女性外籍看護,她自5月底即在台北的醫療院所照顧雇主,當時核酸檢測報告為陰性,但6月11日開始出現輕微咳嗽、發燒等症狀,再度採檢,結果為陽性而確診,並入住醫院隔離病房接受治療,CT值27。這段期間她並沒有離開過該醫院,曾經前往探視的親友已被匡列為居家隔離對象,目前採檢結果都為陰性。

對於外籍漁工的篩檢,縣府協調安排醫師、護理人員、醫檢師及行政人員等醫療團隊,與頭城漁會及蘇澳漁會共同合作,於6月12日及13日前往烏石港、大溪漁港及南方澳漁港進行外籍漁工擴大快篩服務,結果揭曉。

林姿妙表示,總共服務1,233名外籍漁工(烏石港183位、大溪漁港328位、及南方澳漁港722位)。6月12日篩檢了984位,快篩皆為陰性;6月13日篩檢了249位,其中247人快篩為陰性,2人為陽性,再經PCR確認後皆為陰性,虛驚一場。

她並呼籲大家不可掉以輕心,仍須做好相關的防疫措施,戴口罩、勤洗手及保持社交距離。

臺灣新冠至6/14共13106染疫452死 本土11898例

記者楊淨嵐∕臺北報導

國內COVID-19疫情14日新增185例本土確診,無境外移入個案,另又新增15例死亡。目前全國累計共13,106例確診,本土個案已11,898例;確診個案中452例死亡。

中央流行疫情指揮中心指出,今日新增的185例本土病例, 83例男性、102例女性,年齡介於未滿5歲至90多歲,發病日介於今年5月28日至6月13日。

個案分佈以新北市98例最多,其次為臺北市42例,基隆市14例,桃園市10例,苗栗縣7例,花蓮縣4例,彰化縣及新竹縣各3例,宜蘭縣2例,臺中市及雲林縣各1例。

其中雙北地區以外縣市45例中,37例為已知感染源、5例關聯不明、3例調查中;相關疫情調查還在持續進行中。

新增的15例死亡個案,男性9位、女性6位,年齡介於50多歲至90多歲,發病日介於5月10日至6月8日,確診日介於5月18日至6月13日,死亡日介於6月5日至6月13日,其中14人有慢性病活動史,1人到院前無生命跡象,3人有萬華活動史。詳如附表:製表:中央流行疫情指揮中心

指揮中心表示,近期確診個案解隔離情形,5月11日至6月12日累計公布11,547位確診個案中,已有5,802人解除隔離,解隔離人數達確診人數50.2%。

依據指揮中心統計,截至目前國內累計886,014例新型冠狀病毒肺炎相關通報(含863,703例排除),其中13,106例確診,分別為1,155例境外移入、11,898例本土病例,36例敦睦艦隊、2例航空器感染、1例不明及14例調查中,另累計92例移除為空號。確診個案中452例死亡。

6/13竹市零確診 長輩打疫苗率先14號啟動

▲06/13竹市零確診,長輩打疫苗率先14號啟動。(圖/新竹市政府提供)

新竹振道/記者萬世璉/新竹報導

新竹市6/13號零確診;在擴大疫苗施打的部分,新竹市在6/12號已經獲得1.1萬劑的疫苗,並開始為長照機構相關人員與洗腎患者施打疫苗,80歲以上長輩施打的時間,也將從14號開始在6個疫苗施打站進行接種。

新竹市在5/28號成立第一個疫苗站之後,也陸續在三個行政區找出兩個疫苗施打的空間,為了讓長輩在疫苗接種時有一個順暢的動線,13號也特地前往現場,演練長輩接種疫苗的情況。

全市有6座疫苗施打站,預計每天可為6000位80歲以上長輩施打疫苗,預估兩天內完成1萬1千劑疫苗施打。

專家會議決議 張上淳:不建議使用「伊維菌素 Ivermectin」治療COVID-19

社會中心/台北報導

日前有報導指出,美國醫學期刊報告內容,一款名為「伊維菌素」的藥,將結束新冠肺炎大流行,對此,張上淳教授說,這是少數研究,也看到一些分析指出,還沒有證據顯示,Ivermectin可以降低COVID-19病患死亡、插管、加速病毒除或縮短住院天數的效果。

目前包括WHO等多個治療指引均不建議常規使用此藥用於預防或治療COVID-19感染。因此張上淳強調,民眾自行使用此藥物可能有出現副作用之風險,呼籲請民眾不要自行購買服用,以免造成不必要的危險。

後山小調∕端午節吃粽子 心酸

因為疫情,今年端午節盡量少移動外出,只能在家吃粽過節。(圖∕溫富振攝)

今年端午節大家過得很不一樣,可能是這一生最難忘的節日,若干年後,如果還有餘命再回頭看看,恐怕不堪回首話當年。

有一則新聞標題形容端午節連假住宿寫道:墾丁旅宿業含淚驕傲掛零!其實,何止墾丁,全台民宿最多的宜花東,為了配合政府防疫防止人流也都主動清零,連假原夲旅客爆滿,如今卻是住宿清零,數以萬計的從業人員收入也校正歸零,端午節今天過了,疫情繼續蔓延,保命的疫苗只有鄰國送的及零星到貨,形成到處搶打現象,大部份國人還在等打疫苗等得好心急。

疫情一時看不到盡頭,包括花蓮等全台主要火車站、航空港口及公路主要出入口,到處設快篩站,防疫關卡帳棚加上全副防護裝備人員,有如外星人入侵,一個個檢查篩檢可能入侵人體的病毒,然後是陽性或陰性或確診及死亡等一堆冰冷的統計數字陸續呈現,這些景像,看了,令人焦慮難安。

端午節的粽子再怎麼香氣四溢,食之,筆者覺得索然無味且心酸!(本文作者∕資深媒體人:溫富振)

快訊/台灣今新增185例本土+15例死亡

社會中心/台北報導

中央流行疫情指揮中心今(14)日公布國內新增185例COVID-19確定病例,均為本土個案;另確診個案中新增15例死亡。

指揮中心表示,今日新增之185例本土病例,為83例男性、102例女性,年齡介於未滿5歲至90多歲,發病日介於今(2021)年5月28日至6月13日。個案分佈以新北市98例最多,其次為臺北市42例,基隆市14例,桃園市10例,苗栗縣7例,花蓮縣4例,彰化縣及新竹縣各3例,宜蘭縣2例,臺中市及雲林縣各1例。其中雙北地區以外縣市45例中,37例為已知感染源、5例關聯不明、3例調查中;相關疫情調查持續進行中。

指揮中心說明,今日新增15例死亡個案,共計為男性9位、女性6位,年齡介於50多歲至90多歲,發病日介於5月10日至6月8日,確診日介於5月18日至6月13日,死亡日介於6月5日至6月13日,

《You Gotta Be》音樂錄像今日網上首播

《You Gotta Be》音樂錄像今日網上首播

True Colors Festival匯聚了來自9個國家的13位世界級國際表演者。

新加坡 – Media OutReach – 2021年6月14日 – 一眾表演者在家表演,在最新True Colors音樂錄像中全新演繹Des’ree的R&B經典作品《You Gotta Be》。

參與的表演者包括在《全美一叮》獲Simon Cowell按下「黃金按鈕」的Mandy Harvey;獲格萊​美提名的Raul Midón:他在得悉自己雙目失明後將一生貢獻給音樂;在2016年里約殘奧會上有出色表現的空中表演者Kenta Kambara;首位與主流唱片公司簽約的聽障歌手Signmark;以及《法國真人秀》季軍得主Alienètte Coldfire

製作此音樂錄像的技術過程涉及無數次WhatsApp、Messenger和Zoom通話、跨時區工作及實時Google翻譯。創意及音樂總監Sydney Tan博士表示:「真正的挑戰反而是與每位表演者建立關係,通過信任和自由讓他們能夠享受表演和表現出真我,以真實動人的方式傳遞他們的精神和力量。」

Mandy Harvey補充指:「雖然我們沒有親身會面。。。。。。但你可以感覺到每個人都全情投入在整個過程當中。參與團隊更加堅定了我的信心,人的內心信念往往比我們面臨的障礙要強大得多。這提醒我們要走得更遠,邁向更大的夢想。我希望鼓勵人們踏出嘗試的一步!」

True Colors Festival主辦方—日本財團的行政總監Ichiro Kabasawa表示:「全球各地的人都經歷了一段不明朗、感到孤立和恐懼的漫長時期。我們選擇經典歌曲《You Gotta Be》,送給身處這個時期的每個人和每個地方,鼓勵大家發掘自己的潛力。無論每日發生什麼事,我們都要選擇變得更勇敢、更強大、更明智。這首歌提醒我們,說到底,我們都是生活在同一個世界的人類。」

True Colors音樂錄像附設隱藏字幕(適用於聽障人士)和視障口述影像(適用於視障人士),並隨附影片抄本(適用於視聽障人士)。

詳情請瀏覽:True Colors Festival網站

#TrueColorsFestival

配合青年創輔計劃創意實現 第一屆台灣尤努斯創新獎徵件起跑

▲諾貝爾和平獎得主穆罕默德·尤努斯博士(中)、台灣尤努斯基金會蔡慧玲董事長(右)與王絹閔執行長(左)長期關心社會型企業在台發展,鼓勵青年勇於創新創業。(圖/台灣尤努斯基金會提供)

記者孟憲玉/台北報導

台灣尤努斯基金會今年首度與全國11所大學YSBC串聯舉辦「第一屆台灣尤努斯創新獎」,鼓勵青年勇於發揮創新創意發展社會型企業,利用商業模式改善社會問題,永續經營。本活動總獎金高達35萬元,此外,得獎者另有機會獲得鴻海集團郭台銘創辦人支持基金會而設的社企創投基金,提供符合青年創輔計劃的得獎人創業投資或補助金額50至200萬元,歡迎18至40歲的青年組隊踴躍提案。

諾貝爾和平獎得主格萊珉銀行創辦人尤努斯博士長年以來致力於改善窮人處境,其所做的各種嘗試與工作在各界引起廣泛的注意與迴響,最重要的是,他成功地向世人證明─透過社會型企業來達成特定的社會目標、解決社會問題是可行的。尤努斯博士更強調青年投入社會型企業創新創業,改變現有的社會運行模式的重要性。台灣尤努斯基金會遵循尤努斯教授的願景,積極在台各大專院校成立尤努斯社會型企業中心(YSBC),推廣尤努斯社會型企業,輔育青年發揮創意創業精神。

▲諾貝爾和平獎得主穆罕默德·尤努斯博士相信每一個人都可以改變世界,期待青年能用創新創業解決社會問題。(圖/台灣尤努斯基金會提供)

尤努斯基金會董事長蔡慧玲表示目前全球將近百所YSBC中,台灣大學設有YSBC的密度,為全球之冠。今年將持續與各校合作社企輔育計畫,而即將舉辦的第一屆台灣尤努斯創新獎結合社企創投基金,讓尤努斯精神更加落實於在地。11所大學尤努斯社會型企業中心聯合支持,除了提供競賽場地,也擔任評審與輔育業師,各中心主任將社會型企業的觀念融入課程,帶著學生思考,鼓勵學生擁有探索精神,尤努斯創新獎將促成產官學界三方交流。

王絹閔執行長鼓勵青年發揮創新創意以社會企業模式解決社會問題,大專院校者或社會青年1至5人皆可組隊報名參加,首獎高達15萬元。

本活動即日起開始收件至 7月23日截止,以郵戳為憑,請將創意創新社會型企業提案計劃書以紙本方式寄送至財團法人台灣尤努斯基金會(台北市松山區敦化北路102號4樓)。 詳細參賽規則、期程,詳閱官網活動簡章(https://reurl.cc/Enzngk)。

▲第一屆台灣尤努斯創新獎活動海報。(圖/台灣尤努斯基金會提供)

海外代購水超深?ATM長腿姊姊教你快速防真偽

▲知名代購平台Atm ct global 長腿姊姊全球購創辦人Tiffany。(圖/Tiffany提供)

記者呂蘋恩/台北報導

防疫期間宅經濟盛行,民眾無法出國只能透過網路代購平台滿足海外購物需求,本刊接獲民眾爆料,防疫期間不少人上網代購卻慘遭詐騙,付了款遲遲未收到產品或是收到劣質品,雖然報案警方認定消費糾紛,卻也因賣家神隱,消費者往往求償無門。

知名代購平台ATM長腿姊姊創辦人Tiffany表示,代購業互相檢舉、模仿、價錢競爭等惡意攻擊很常見,許多平台為了賺錢跟風,並不真正了解產品,甚至以假混真,用水貨取代公司貨;消費者可能只透過朋友推薦,或依照粉絲數多寡認定真假,加上購物前並未再三確認,才會導致付了高額款項卻沒有收到商品或收到劣質品等不愉快的購物經驗。

Tiffany提醒喜好網購的民眾,就算是朋友推薦、上萬名粉絲數,購買精品時還是需要多方查證,因為很多代購網會透過不法管道購買粉絲數,消費者不一定有保障。如何確保自己的權益呢?長腿姊姊建議找代購時可確認以下事項:
1.是否與品牌總公司拿貨
2.擁有合約授權書(合約編號、合約日期、續約日期)
3.品牌販售價格差距
4.確認貨物進口/製造地(是否合法進關納稅)
5.是否有合法繳稅開立發票

大家上網購買精品,除了要學會如何判斷適合的平台外,也要觀察代購業者是否對產品真的了解,是否有完整的售後服務,下單前再三詢問,避免損失荷包,才能真正保障自己,擁有愉快消費經驗。

許許願關愛兒幼 『遠愛偏鄉-用愛拾珠』資助計畫 張瑞竹益捐「雪花和夏天」療癒繪本攜手做公益

▲藝人畫家張瑞竹 益捐「雪花和夏天」療癒繪本。(圖/許許願提供)

記者孟憲玉/台北報導

一場世紀疫情將整個地球村的居民緊扣在一起.許許願從關愛兒幼做起,向上照應社會耆老、擴大到協助弱勢與偏鄉,並且兼顧社會公平的落實。許許願展夢文教協會創辦人許懷泉表示:『遠愛偏鄉』的資助計畫,此次感謝 藝人畫家張瑞竹,益捐「雪花和夏天」療癒繪本的著作權,與「許許願」合力出版發行,提供作為「遠愛偏鄉 用愛拾珠」培育兒童獎助學金募集之用。

創辦人許懷泉表示: 在疫情期間,大家難免會想起,如果創作的本質是出於愛,那麼希望可以回歸 ”愛” 的初衷,去感受這本著色繪本。就像繪本中的兩個好友 ”雪花”和 “夏天”,在遙遠的距離中產生各種期待與關懷,讀者可以自行解讀,無論大人或小孩,都能透過彩繪,為內心注入新能量。

▲許許願『遠愛偏鄉-用愛拾珠』募集計畫 益助偏鄉兒童。(圖/許許願提供)

讓偏鄉兒童的未來,從此有著來自您的一份關愛, 每次的認購,都代表您一份有力的支持……為孩子們打開一扇通往未來的任意門,就從這本療癒繪本開始吧!

培育兒童獎助學金,感動上市。https://reurl.cc/Gmbkr3
許許願官網:http://www.towish.org/
FB :https://zh-tw.facebook.com/towish.org/

▲「雪花和夏天」療癒繪本。(圖/許許願提供)

 

宜縣新冠6/13首增1境外 縣府公布活動足跡籲民眾注意

宜蘭縣最新疫況及新增境外移入的活動足跡。(圖∕宜蘭縣政府衛生局)

記者陳木隆∕宜蘭報導

宜蘭縣新冠疫情13日無新增本土確診,但首度新增1例境外移入個案,縣政府特別公布活動足跡,提醒曾於相關時地活動的民眾注意自己的身體狀況。

宜蘭縣政府衛生局長徐廼維指出,目前已完成13841例篩檢,74人居家隔離,92例本土確診、1例境外移入,陽性率0.66%。確診個案中2人死亡,已有51人出院,39人住院中,1人病情較為嚴重,其他尚屬平穩。

縣長林姿妙說明,今日新增境外移入個案,為20多歲男性案12924,今年3月和家人到美國工作,4月初在美國確診為新冠肺炎,並未住院治療,但經休養後恢復,5月14日取得PCR採檢陰性報告,5月17日入境台灣,並在台北市的防疫旅館居家檢疫,檢疫期滿後,6月1日搭乘防疫計程車回到宜蘭。

根據衛生局疫調,案12924於6月2日曾向蔬果商訂購蔬果等食材,未與廠商接觸,之後運用蔬果食材做菜,未有出外足跡。不過,6月11日覺得有些不舒服,因此搭火車到醫院再次採檢後,又搭火車回家。6月12日檢驗結果是陽性而確診,CT值是32。

林姿妙特別公布個案公共活動足跡(如圖),並針對最近一些個案在出現不適症狀時還搭乘大眾運輸,呼籲民眾在感到身體不適時,千萬別搭大眾運輸外出,可連繫衛生局安排接送就醫,以免造成傳染的風險。

另外,有關疫苗注射,12日已開始為洗腎病人接種,並已將長照機構所需疫苗,分批送至各相關負責的醫療機構準備施打。15日起將為第一類到第三類尚未接種的人員注射。16日起為88歲以上(原住民是78歲以上)的長者接種疫苗,宜蘭市、羅東鎮的長者在溪北(宜蘭運動公園)、溪南(羅東文化工場)接種中心,其餘鄉鎮於居住地的衛生所施打。

88歲以上長者的「施打疫苗通知單」13日下午由縣府12個戶政事務所主任親自送達各鄉鎮市公所,請各公所儘速將通知單轉送到家戶。民眾若有疑問,14日起可向所屬鄉鎮市衛生所查詢。

竹市12號確診+2 皆為竹南科技廠感染關聯者

▲竹市12號確診+2,皆為竹南科技廠感染關聯者。(圖/新竹市政府提供)

新竹振道/記者林彥斌/新竹報導

新竹市六月十二號的最新疫情資訊,新增兩名確診個案,分別是案12741,以及案12835,都是竹南科技廠的相關聯者,案12741是竹南科技廠的員工,因為同工作區域有確診個案,日前也已經被居家隔離,之後PCR陽性確診。

而另外一位確診的案12835,則是家人案11490確診以後,被匡列的對象之一,隔離期間出現了輕症,因此也安排了PCR檢測,被證實為陽性反應。林智堅指出,目前的傳染途徑看來,大多數都是家庭群聚感染,市府會持續追蹤目前居家隔離者的健康狀況。

截至目前為止,新竹市累積32名確診個案,相比北部其他縣市,新竹市的狀況比較好,但由於竹南科技廠仍然有個案出現,新竹市政府仍然不敢掉以輕心,持續追蹤與篩檢,希望可以確實阻斷疫情的傳播鏈。

臺灣新冠6/13新增174本土1境外26死 累計12921染疫437死

中央流行疫情指揮官陳時中說明國內最新疫況及疫苗配發施打情形。(圖∕中央流行疫情指揮中心)

記者楊淨嵐∕臺北報導

國內COVID-19確診案例13日新增174例本土、1例境外移入,死亡仍高達26人;全國累計確診共12,921例,其中11,713例為本土病例;確診個案中已437例死亡。中央流行疫情指揮中心指揮官陳時中表示,今日整體新增個案雖然比較少,但仍提醒大家必須注意,絕對不能放鬆。

陳時中指出,今日新增174例本土病例,79例男性、95例女性,年齡介於未滿5歲至90多歲,發病日介於今年5月23日至6月12日。

確診個案分佈以新北市81例最多,其次為臺北市62例,桃園市16例,基隆市7例,彰化縣4例,新竹縣2例,臺中市及花蓮縣各1例。其中雙北地區以外縣市的31例中,20例為已知感染源、7例關聯不明、4例調查中。

今日新增26例死亡個案,男性15位、女性11位,年齡介於50多歲至90多歲,發病日介於5月6日至6月10日,確診日介於5月15日至6月12日,死亡日介於6月4日至6月12日。其中2人無慢性病史、5人調查中,其餘19人都有慢性病史;且有1人未住院,2人到院前沒有生命跡象,6人有萬華區活動史。詳如附表:

▲製表:中央流行疫情指揮中心

新增1例境外移入個案(案12924),為本國籍20多歲男性,4月曾在美國當地檢出COVID-19陽性,5月17日自美國返臺,持有搭機前3日內檢驗陰性報告,入境後至防疫旅館進行居家檢疫,6月11日自費採檢,今日確診;個案在臺期間並無症狀,已匡列接觸者1人,列居家隔離。

指揮中心統計,目前總共累計869,247例新型冠狀病毒肺炎相關通報(含846,797例排除),其中12,921例確診,分別為1,155例境外移入、11,713例本土病例,36例敦睦艦隊、2例航空器感染、1例不明及14例調查中,另累計92例移除為空號。確診個案中437例死亡。

竹市1.1萬劑AZ疫苗到貨 14號起優先為高齡長輩施打

▲竹市1.1萬劑AZ疫苗到貨,14號起優先為高齡長輩施打。(圖/新竹市政府提供)

新竹振道/記者林彥斌/新竹報導

工作人員加緊趕工,忙著整理厚厚一疊的接種通知書,因為馬上就要請里長、鄰長們發送給轄區內符合資格的長輩,讓他們可以帶著接種通知書,到指定地點接受施打疫苗。

新竹市已經收到來自中央的1.1萬劑AZ疫苗,為了加快速度,新竹市預計從14號開始施打,因為數量不夠,市府以年齡來區分,目前會優先提供給80歲以上的長輩接種。林智堅再三強調,請符合資格的民眾一定要持通知書、健保卡、身分證以及填寫好的意願書,到指定時間、地點施打。

為了消化龐大的接種人潮,新竹市目前在三個區,都各別設了兩座疫苗施打站,總共有六座,民眾可以就近前往疫苗施打站,假如有行動不方便的,也可以搭乘免費的疫苗計程車,或是申請到府施打服務,林智堅呼籲,把資源留給最需要的人,有相關疑慮,都可以撥打1999市民專線,了解更多的訊息。